Monday, March 24, 2014

Tournament of Books Round Thirteen: A TALE FOR THE TIME BEING by Ruth Ozeki vs. THE GOOD LORD BIRD by James McBride

In today’s matchup we have the cross-dressing ex-slave, Onion/Henry, who is taken along on John Brown’s road to occupying Harper’s Ferry and taking a stand against slavery, versus the bullied Japanese high-school girl, Naoko, who goes to live at her great-grandmother’s Zen Buddhist temple after her father attempts suicide. There are a number of sections of each that require the reader to suspend disbelief, and the commentary of this round touches on one of them: how does Onion maintain the illusion that he is a woman for so long, in front of so many people, in a brothel, and as the second woman in a household full of men? I also want to know how Naoko’s mother fails to realize that her only daughter has dropped out of school and become a prostitute at a maid-themed café. And why Nao’s own tsunami-inflicted death ends up being less affecting than the death of one of John Brown’s mentally disadvantaged sons. But let’s start with what we do know.

John Brown’s raid on Harper’s Ferry was well-intentioned but poorly planned, motivated more by theological righteousness than expedience, political concern, or well-connected scheming. John Brown sabotages his own plan by moving the date of his attack around without communicating with his reinforcements, choosing a location that is very well-protected and in the midst of unfriendly territory, and believing that no matter what he does, he can’t fail, because the Lord is on his side. He doesn’t make a plan B. He barely has a plan for retreat, and comes to realize at the end that his beliefs will even carry him through imprisonment and death, because he sees himself as something of a Messiah figure. I read a New Yorker article recently about the Branch Davidians, which reminded me quite a bit of John Brown. David Koresh wasn’t fighting for human rights, but he also believed that as long as he could communicate his religious message, his subsequent capture and imprisonment would be tolerable. Does John Brown’s motivation for his failed takeover of Harper’s Ferry justify his actions? Certainly if someone tried something similar now, they would be considered a terrorist—was John Brown a terrorist? Does knowing that his heart was in the right place and that history bore out his wishes change how his siege of the armory must have felt to the people who lived and worked there? Or to the slaves who saw what he was doing and knew it would fail? To the free blacks who had to consider whether to help him in principle and potentially die or lose their freedom, or leave him to his own devices and feel complicit with the forces that moved against him? I think this is both one of the simplest questions THE GOOD LORD BIRD raises, and also one of the most interesting. Onion doesn’t join Brown’s stand out of principle, but because he realizes he has failed to uphold a promise to Brown, and doesn’t want to betray his friend. Although Onion is basically opposed to slavery, he never believes that Brown’s plan will work. He comes to Brown’s aid because Brown was a second father figure to him, and because he feels he owes Brown his loyalty, which ends up being a stronger conviction than the inherent wrongness of slavery.

In Naoko’s story, the doomed fighter is her great-uncle, a conscripted kamikaze pilot in World War Two. Although the pilot generally appreciates the life he has had in Japan, and has affection for his countrymen, he understands that the war is wrong, that the methods by which it is fought are unjust, and that the enemy is also a scared young man like him, who shouldn’t be killed for wanting to protect his country. His experiences provoke Nao first to pride, when she thinks he carried out his military mission and died a martyr, then to regret for her former feelings when she learns that he crashed his plane into the ocean, leaving his mission unfulfilled but his morality uncompromised. Her duality of feeling brings up an interesting tension that we see today, as our country embroils itself in conflict after conflict that have little bearing on the United States’ direct survival, but a large bearing on the survival of individual Americans who enlist. We want very much to be proud of servicemen and –women, while at the same time want to condemn these wars, and their collateral damage and torture and disruption of provincial Middle Eastern lives. Yet in the specifics, this brings the average person into a direct contradiction; success may involve ordering a strike against a group of militants, and that same strike may kill the militants as well as some innocent goat-tending bystanders. Were the pilot who was ordered to perform that strike instead to crash his plane into the Hindu Kush, rather than kill a fellow man who may not directly wish him ill, I doubt we would feel the way that Naoko does. But Naoko is more certain of herself and of her feelings than Onion, and does less to brook discussion; though both are reporting on events for posterity in the form of a journal or private papers, Onion has a deeper conversation with himself than Naoko does, and pushes himself farther to find the truth.

My round winner and ToB’s: THE GOOD LORD BIRD


Read the official Tournament review here

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