Unsurprisingly, THE GOOD LORD
BIRD takes home the Rooster. I was a little disappointed in the Tournament this
year—not just because I think the least offensive, most broadly appealing book
won, but also because I didn’t feel that I read many new ways of looking at the
books that were reviewed. There are kind of two camps of book reviews, one that
presupposes you’ve read the book and one that doesn’t. I usually prefer the
former; I turn to reviews when I’ve just read a book, to see if there’s a new
interpretation of the text that I haven’t considered. I rarely look to reviews
for recommendations; a recommendation can be a list or a couple sentences and
suffice for me to pick up the book.
Both THE GOOD LORD BIRD and
LIFE AFTER LIFE are historical novels; a friend of mine doesn’t like reading
historical fiction because she “doesn’t know if what [she’s] learning is true.”
I’m interested in that point of view; it’s true of pretty much anything we read
from far enough in the past (did George Washington really chop down that cherry
tree? I argue there is literally no way to be sure) but it also points out the
limits of historical fiction. At some point, if you’re curious enough about the
events depicted, you’ll head to nonfictional source material to learn more.
This is more important in THE GOOD LORD BIRD than LIFE AFTER LIFE, particularly
if you’re not familiar with the characters McBride lampoons. (I am assuming
that almost any reader knows that someone like Ursula didn’t shoot Hitler in a
tavern, and that Eva Braun didn’t have many female friends). In that sense, I
suppose THE GOOD LORD BIRD is more successful; it’s more likely to push readers
to learn more, if only because the characterizations of historical figures are
so funny and odd. I am interested in whether John Brown’s sons were basically
as depicted, and whether any of the reinforcements on the train who were scared
off by the lack of a password realized later what they had missed, and how they
felt about missing it.
I’m strangely not curious at
all to read anything else by McBride, though, and that’s why I still think that
THE SON won this tournament. I can’t wait to get my hands on AMERICAN RUST, and
I want to re-read THE SON very soon.
Read the final ToB judgments
here.
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